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In honor of two Filipino painters

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In honor of two Filipino painters
 
Rizal, José P. "In honor of two Filipino painters." In Gems of Philippine oratory; selections representing fourteen centuries of Philippine thought, carefully compiled from credible sources in substitution for the pre-Spanish writings destroyed by missionary zeal, to supplement the later literature stunted by intolerant religious and political censorship, and as specimens of the untrammeled present day utterances, compiled by Austin Craig. Manila: University of Manila, 1924. Pp. 34-37.
 
EXECUTIVE SUMMARY: In this speech delivered at a banquet in honor of Juan Luna and Felix Resurreccion Hidalgo on 25 June 1884, José P. Rizal acknowledges the achievements of these two most distinguished Filipino artists and praises them for their noble hopes and valuable example for the Filipino youth.
   Written by Alisandra E. Abadia; Edited by Jack Victor M. Nera
 
This document is part of the
 
(At banquet in honor of Luna and Hidalgo, Madrid, June 25 1884.)
 
In rising to speak I have no fear that you will listen to me with superciliousness, for you have come here to add to ours your enthusiasm, the stimulus of youth, and you cannot but be indulgent. Sympathetic currents pervade the air, bonds of fellowship radiate in all directions, generous souls listen, and so I do not fear for my humble personality, nor do I doubt your kindness. Sincere men yourselves, you seek only sincerity, and from that height, where noble sentiments prevail, you give no heed to sordid trifles. You survey the whole field, you weigh the cause and extend your hand to whomsoever like myself, desires to unite with you in a single thought, in a sole aspiration: the glorification of genius, the grandeur of the fatherland!
 
Such is, indeed, the reason for this gathering. In the history of mankind there are names which in themselves signify an achievement—which call up reverence and greatness; names which, like magic formulas, invoke agreeable and pleasant ideas; names which come to form a compact, a token of peace, a bond of love among the nations. To such belong the names of Luna and Hidalgo: their splendor illuminates two extremes of the globe—the Orient and the Occident, Spain and the Philippines. As I utter them, I seem to see two luminous arches that rise from either region to blend there on high, impelled by the sympathy of a common origin, and from that height to unite two peoples with eternal bonds; two peoples whom the seas and space vainly separate; two peoples among whom do not germinate the seeds of disunion blindly sown by men and their despotism. Luna and Hidalgo are the pride of Spain as of the Philippines—though born in the Philippines, they might have been born in Spain, for genius has no country; genius bursts forth everywhere; genius is like light and air, the patrimony of all: cosmopolitan as space, as life and God.
 
The Philippines' patriarchal era is passing, the illustrious deeds of its sons are not circumscribed by the home; the oriental chrysalis is quitting its cocoon; the dawn of a broader day is heralded for those regions in brilliant tints and rosy dawn-hues; and that race, lethargic during the night of history while the sun was illuminating other continents, begins to wake, urged by the electric' shock produced by contact with the occidental peoples, and begs for light, life, and the civilization that once might have been its heritage, thus conforming to the eternal laws of constant evolution, of transformation, of recurring phenomena, of progress.
 
 

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